The first one is based on two drawings - one of the statue of "Autumn" and a different drawing of banksia in the grounds of Lion Gate Lodge. Similarly, the lion has a different background in my sketchbook, and I drew in his actual surroundings from a photograph. These drawings are done on architect's drafting film. In each case I've used a pen for the main figure, then a very large soft pencil for the background.
The solar plate is exposed to the sun through the drawing, then after a few very simple and quick processes, I have a plate that is ready to ink up and run through a printing press.
The "Autumn" print has been done with Sanguine ink and a Cerulean Blue colour roll, and the "Lion" print with sepia ink, and a Cerulean Blue colour roll. I use Charbonnel inks for this process and I've just ordered a few more in "Gardens" colours.